In genocidal circumstances, life, survival and continuity are themselves acts of resistance.

As an early modern English playwright, Shakespeare uses the scimitar as a sign of Eastern otherness and the anxieties associated with it across time and space.

Global economic crises and the use of foreign currency naturally found their reflections in early modern drama and literature

People from marginalised backgrounds continue to have similar encounters insisting on access to their personal histories to this day.

The ‘Turks’ are an ominous presence in Shakespeare’s Othello who trigger and drive events in the play

The presentation of character types and their racial identities in the export of dramatic material and staging practices from London to northern Europe.