In genocidal circumstances, life, survival and continuity are themselves acts of resistance.

In 'The Renegado', the control of Muslim women is a site for constructing European racial, masculine superiority in contrast to perceived Muslim inferiority.

As an early modern English playwright, Shakespeare uses the scimitar as a sign of Eastern otherness and the anxieties associated with it across time and space.

Drake, like other European travellers, took measures to ensure that his English sound would dominate the soundscapes along his journey.

People from marginalised backgrounds continue to have similar encounters insisting on access to their personal histories to this day.

This association between African masculinity and dangerous femininity is no coincidence