Dr Aisha Hussain
Dr Aisha Hussain
Events Editor, MEMOs

Aisha Hussain oversees the Events page at Medieval and Early Modern Orients (MEMOs). Along with MEMOs researcher, Murat Öğütcü, she is also co-Editor of the MEMOs edited collection, Materialising the East in Early Modern English Drama, forthcoming from Arden Studies in Early Modern Drama (London: Bloomsbury, 2023). Aisha completed her PhD at the University of Salford. Her research interests include Turkish Otherness, fictional terror, Anglo-Ottoman commerce, gender studies, Orientalism, and, in particular, crusading and anti-crusading discourses in early modern English drama. She holds a Bachelor of Arts in English and Drama (University of Salford, 2017) and a Master of Arts in Renaissance English Literature (University of Leeds, 2018). Aisha was awarded the Pathways to Excellence Studentship by the University of Salford upon commencing her PhD studies in September 2018. Her current research investigates how the emergence of a more positive theatrical Turkish type in the works of Fulke Greville, Thomas Goffe and Roger Boyle reflects, in a shift from their contemporaries, what can be considered an anti-crusading discourse. She tweets @AishaHussain96. She can be reached at [email protected]


Those who Lust and those who Lack: Tyranny and Passivity in Early Modern writing on the Ottomans
Those who Lust and those who Lack: Tyranny and Passivity in Early Modern writing on the Ottomans
The stereotyped cultural Ottoman figure also affected early modern dramatic portrayals of Ottomans as violent, lustful, and, politically corrupt
28 March 2022
Medieval Crusading Ideals in the Early Modern Period: A Critical Background
Medieval Crusading Ideals in the Early Modern Period: A Critical Background
It was during the final ten years of the sixteenth century that references to the Levant trade started to become evident in literary and dramatic works
17 October 2021
“This is the English, not the Turkish court”: Ottomans in Shakespeare’s Henriad
“This is the English, not the Turkish court”: Ottomans in Shakespeare’s Henriad
The Shakespearean character of Henry Bolingbroke seeks to elevate himself and his political agenda by casting the Turks as a negative contrast.
27 June 2021
Thames Pageants and Thomas Sherley: Real versus Imagined Anglo-Ottoman Encounters
Thames Pageants and Thomas Sherley: Real versus Imagined Anglo-Ottoman Encounters
Thus, the pageants voiced hopes, rather than realities, for the defeat of the Turk at the hands of a united Christendom.
7 December 2020
“Make [affections] Master, theyle prove tyrants”: Law and Lust in Goffe’s The Courageous Turk
“Make [affections] Master, theyle prove tyrants”: Law and Lust in Goffe’s The Courageous Turk
His plays not only show a more positive portrayal of Muslim Turks but also demonstrate the progression of Christian morality.
23 July 2020